{"id":7600,"date":"2019-12-06T14:30:21","date_gmt":"2019-12-06T13:30:21","guid":{"rendered":"http:\/\/www.grandsformats.com\/?p=7600"},"modified":"2020-05-12T16:29:43","modified_gmt":"2020-05-12T14:29:43","slug":"nomination-de-jean-philippe-thiellay-a-quoi-sert-feuille-de-route-legalite-2018-2022-actes-ne-suivent","status":"publish","type":"post","link":"https:\/\/www.grandsformats.com\/en\/2019\/12\/nomination-de-jean-philippe-thiellay-a-quoi-sert-feuille-de-route-legalite-2018-2022-actes-ne-suivent\/","title":{"rendered":"Nomination de Jean-Philippe Thiellay : \u00c0 quoi sert la feuille de route sur l\u2019\u00e9galit\u00e9 2018-2022 si les actes ne suivent pas ?"},"content":{"rendered":"

\u00c0 quoi sert la feuille de route sur l\u2019\u00e9galit\u00e9 2018-2022 si les actes ne suivent pas ?<\/h2>\n

La nomination annonc\u00e9e de Jean-Philippe Thiellay, devant celle pressentie de Catherine Ruggeri, \u00e0 la t\u00eate du Centre National de la Musique soul\u00e8ve une nouvelle fois la question de la parit\u00e9 \u00e0 la t\u00eate des grands \u00e9tablissements culturels.<\/h2>\n

Depuis mars dernier, Catherine Ruggeri a men\u00e9 avec impartialit\u00e9 et d\u00e9termination les travaux de pr\u00e9figuration du Centre National de la Musique (CNM) que les ministres successifs de la Culture avaient appel\u00e9 de leurs voeux. Dans un souci constant de dialogue et de co-construction, elle a \u00e9cout\u00e9 les inqui\u00e9tudes des professionnels, les questionnements que soulevaient l\u2019ouverture de ce nouvel \u00e9tablissement public et a oeuvr\u00e9 \u00e0 une clarification du projet de CNM.
\nSes comp\u00e9tences et son professionnalisme ne peuvent \u00eatre mis en cause.
\nNous nous alarmons donc du signal envoy\u00e9 par l\u2019annonce programm\u00e9e de la nomination de Jean-Philippe Thiellay \u00e0 la Pr\u00e9sidence de l\u2019\u00e9tablissement. Sans mettre en doute la l\u00e9gitimit\u00e9 du professionnel, il nous appara\u00eet que cette nomination va \u00e0 contre-courant des ambitions affich\u00e9es en mati\u00e8re d\u2019\u00e9galit\u00e9 femme-homme alors m\u00eame qu\u2019une femme oeuvrait d\u00e9j\u00e0 depuis six mois \u00e0 ce qui s\u2019apparentait, non plus \u00e0 une mission de pr\u00e9figuration, mais \u00e0 un v\u00e9ritable lancement op\u00e9rationnel du CNM.
\nAinsi, en France, en 2019, pas une femme n\u2019est \u00e0 la t\u00eate d\u2019un \u00e9tablissement musical de premier plan. Les derni\u00e8res nominations (telles l\u2019Op\u00e9ra National de Paris, Op\u00e9ra de Lyon, CNSMD de Lyon\u2026) n\u2019ont donn\u00e9 lieu qu\u2019\u00e0 des recrutements masculins, aucune femme n\u2019\u00e9tant m\u00eame pr\u00e9sente dans les shortlists. L\u2019arriv\u00e9e annonc\u00e9e d\u2019\u00c9milie Delorme \u00e0 la t\u00eate du CNSMD de Paris n\u2019est que l\u2019exception qui confirme la r\u00e8gle, une r\u00e8gle qui semble \u00e9carter les femmes des postes de direction des \u00e9tablissements les plus politiques, les plus expos\u00e9s et les mieux dot\u00e9s.
\nNous affirmons ici que la parit\u00e9 ne pourra \u00eatre atteinte sans une politique volontariste !
\nA quoi servent les d\u00e9clarations de bonnes intentions et la nomination d\u2019une Haute fonctionnaire \u00e0 l\u2019\u00e9galit\u00e9, \u00e0 la diversit\u00e9 et \u00e0 la pr\u00e9vention des discriminations aupr\u00e8s du secr\u00e9tariat g\u00e9n\u00e9ral du minist\u00e8re de la Culture si les actes m\u00eames du Minist\u00e8re de la Culture vont \u00e0 l\u2019encontre de ces principes ?
\nComment justifier cette nomination dans une configuration o\u00f9 une femme \u00e9tait l\u00e9gitimement pressentie ?
\nA quoi sert la feuille de route sur l\u2019\u00e9galit\u00e9 2018-2022 si les actes ne suivent pas ?
\nLes organisations signataires s\u2019\u00e9tonnent d\u2019une telle situation.
\nLe secteur musical accuse un retard dramatique sur les questions de parit\u00e9. Cela n\u2019est plus acceptable.
\nLe 29 novembre 2019<\/p>\n

CONTACTS PRESSE<\/strong><\/em>
\nAJC<\/a> \u2013 Antoine BOS, d\u00e9l\u00e9gu\u00e9 g\u00e9n\u00e9ral \u2013 06 76 82 90 03 \u2013 antoinebos(at)ajc-jazz.eu<\/em>
\nFEVIS<\/a> \u2013 Louis PRESSET, d\u00e9l\u00e9gu\u00e9 g\u00e9n\u00e9ral \u2013 06 03 05 75 92 \u2013 louis.presset(at)fevis.com<\/em>
\nFUTURS COMPOS\u00c9S<\/a> \u2013 Martine DUVERGER, d\u00e9l\u00e9gu\u00e9e g\u00e9n\u00e9rale \u2013 06 37 57 19 59 martine.duverger(at)futurscomposes.com<\/em>
\nGRANDS FORMATS<\/a> \u2013 Aude CHANDON\u00c9, d\u00e9l\u00e9gu\u00e9e g\u00e9n\u00e9rale \u2013 06 12 99 47 65 \u2013 aude(at)grandsformats.com<\/em>
\nPROFEDIM<\/a> \u2013 Aur\u00e9lie FOUCHER, d\u00e9l\u00e9gu\u00e9e g\u00e9n\u00e9rale \u2013 07 60 49 44 06 aurelie.foucher(at)profedim.org<\/em>
\nACNCM \u2013 Association des Centres nationaux de cr\u00e9ation musicale
\nChristian SEBILLE \u2013 pr\u00e9sident \u2013 christian.sebille(at)gmem.org<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00c0 quoi sert la feuille de route sur l\u2019\u00e9galit\u00e9 2018-2022 si les actes ne suivent pas ? La nomination annonc\u00e9e de Jean-Philippe Thiellay, devant celle pressentie de Catherine Ruggeri, \u00e0 la t\u00eate du Centre National de la Musique soul\u00e8ve une nouvelle fois la question de la parit\u00e9 \u00e0 la t\u00eate des grands \u00e9tablissements culturels. Depuis…<\/p>\n

<\/small>Continue reading<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":10972,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[90,273],"tags":[],"class_list":["post-7600","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-grands-formats","category-communiques-lactu-de-la-fede","entry-post-skin-light","entry","clearfix","entry-grid","entry-columns-default","entry-post-module-layout-sidebar-right","thumbnail-color-tone-dark","entry-post","entry-masonry","entry-post-masonry"],"acf":[],"yoast_head":"\nNomination de Jean-Philippe Thiellay : \u00c0 quoi sert la feuille de route sur l\u2019\u00e9galit\u00e9 2018-2022 si les actes ne suivent pas ? - Site officiel de la f\u00e9d\u00e9ration Grands Formats<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.grandsformats.com\/2019\/12\/nomination-de-jean-philippe-thiellay-a-quoi-sert-feuille-de-route-legalite-2018-2022-actes-ne-suivent\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nomination de Jean-Philippe Thiellay : \u00c0 quoi sert la feuille de route sur l\u2019\u00e9galit\u00e9 2018-2022 si les actes ne suivent pas ? - Site officiel de la f\u00e9d\u00e9ration Grands Formats\" \/>\n<meta property=\"og:description\" content=\"\u00c0 quoi sert la feuille de route sur l\u2019\u00e9galit\u00e9 2018-2022 si les actes ne suivent pas ? 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