{"id":6395,"date":"2018-09-12T10:08:41","date_gmt":"2018-09-12T09:08:41","guid":{"rendered":"http:\/\/www.grandsformats.com\/?p=6395"},"modified":"2020-05-14T15:04:04","modified_gmt":"2020-05-14T13:04:04","slug":"edito-de-septembre","status":"publish","type":"post","link":"https:\/\/www.grandsformats.com\/en\/2018\/09\/edito-de-septembre\/","title":{"rendered":"Tribune de septembre"},"content":{"rendered":"

Finalement, on va trouver plut\u00f4t sympa ce retour \u00e0 la saison r\u00e9guli\u00e8re apr\u00e8s un \u00e9t\u00e9 suspendu \u00e0 la canicule, aux pelouses russes et \u00e0 la torpeur de l\u2019info. Et pour lancer sur des bases solides et inspirantes cette nouvelle ann\u00e9e, Grands Formats nous a concoct\u00e9 une rentr\u00e9e d\u2019une envergure sans pr\u00e9c\u00e9dent\u00a0: une cinquantaine de concerts en grand orchestre r\u00e9partis sur toute la France, entre le 16 octobre et le 29 novembre. Nous sommes aussi tr\u00e8s heureux d\u2019organiser notre temps fort pour le lancement de cette rentr\u00e9e avec le Reims Sunnyside Festival les 16, 17 et 18 octobre prochains – un maximum de grands formats dans un minimum de temps.
\nAvant ce grand \u00e9clat musical, c\u2019est sur la sc\u00e8ne europ\u00e9enne que Grands Formats concentrera son action\u00a0: les 13, 14, 15 septembre nous serons pour la premi\u00e8re fois \u00e0 l\u2019European Jazz Conference qui regroupera \u00e0 Lisbonne les professionnels du secteur du jazz venus de toute l\u2019Europe. Grands Formats s\u2019y rendra les mains remplies d\u2019id\u00e9es et de propositions, s\u2019appuyant sur une des nouveaut\u00e9s les plus enthousiasmantes de cette ann\u00e9e : l\u2019int\u00e9gration d\u2019orchestres \u00e9trangers au sein de la f\u00e9d\u00e9ration, sous l\u2019\u00e9tiquette European Grands Formats – dont les noms ont \u00e9t\u00e9 annonc\u00e9s en d\u00e9but de semaine\u00a0!
\nDans cette rentr\u00e9e au calendrier s\u00e9duisant, nous tiendrons aussi notre place et contribuerons activement \u00e0 de grandes man\u0153uvres en cours sens\u00e9es impacter directement nos pratiques\u00a0: la r\u00e9forme de l\u2019action publique et territoriale (CAP 22), le projet du Centre National de la Musique (CNM) et les contours d\u2019un \u00ab\u00a0plan Jazz\u00a0\u00bb annonc\u00e9 \u00e0 l\u2019automne par le minist\u00e8re de la Culture. S\u2019il n\u2019est pas l\u2019objet ici d\u2019entrer dans le d\u00e9tail de ces chantiers d\u00e9cisifs, je voudrais n\u00e9anmoins porter l\u2019attention sur un questionnement plus vaste et radical sous-tendu dans ces plans, et que je crois symptomatique du contexte dans lequel \u00e9volue notre secteur\u00a0: l\u2019installation d\u2019une confusion s\u00e9mantique entre \u00ab\u00a0art\u00a0\u00bb et \u00ab\u00a0culture\u00a0\u00bb.
\nAu regard de ces perspectives en cours (CAP 22, CNM), accepter la qualification indiff\u00e9renci\u00e9e et constante de l\u2019un par l\u2019autre propose \u00e0 mon sens un chemin hasardeux aux artistes, aux acteurs de la musique, et plus largement aux spectateurs d\u2019aujourd\u2019hui. En effet, nous travaillons main dans la main avec les responsables et les d\u00e9l\u00e9gu\u00e9s culturels, cr\u00e9ons des emplois culturels, r\u00e9alisons des actions culturelles, dans le cadre de politiques culturelles… mais la \u00ab\u00a0culture\u00a0\u00bb c\u2019est aussi le sport, la cuisine, la chasse, la langue, les comportements civils, la g\u00e9n\u00e9ration… et tant d\u2019autres aspects d\u2019une soci\u00e9t\u00e9 organis\u00e9e dont l\u2019art n\u2019est qu\u2019un des visages. Les perspectives cit\u00e9es plus haut insistent notamment sur les possibilit\u00e9s qu\u2019il y a aujourd\u2019hui de r\u00e9concilier l\u2019art et la r\u00e9alit\u00e9 sociale, par l\u2019action culturelle, le lien social ou l\u2019industrie\u00a0: comme si l\u2019art de notre temps devait principalement nous rassurer sur la place que nous occupons au sein des processus mat\u00e9riels de production des soci\u00e9t\u00e9s. Si nous avons mis nos pr\u00e9conisations sur la table, avec les \u00e9l\u00e9ments aujourd\u2019hui \u00e0 notre disposition, nous craignons que ces desseins actuels oblit\u00e8rent – par omission\u00a0? – la capacit\u00e9 de l\u2019art \u00e0 faire \u00e9clore des horizons capables de nous mener au-del\u00e0 des limitations de notre \u00e9poque.
\nL\u2019absence du mot \u00ab\u00a0art\u00a0\u00bb au profit de \u00ab\u00a0culture\u00a0\u00bb s\u2019accompagne ainsi de dommages collat\u00e9raux dans le discours, telle la quasi-disparition des \u00ab\u00a0\u0153uvres\u00a0\u00bb au profit des \u00ab\u00a0produits\u00a0\u00bb – ou, version plus douce, des \u00ab\u00a0projets\u00a0\u00bb. De ces questions s\u00e9mantiques d\u00e9coulent directement la d\u00e9finition des places respectives qu\u2019occupent les artistes, les producteurs, les m\u00e9diateurs, les enseignants, les d\u00e9l\u00e9gu\u00e9s culturels, dans le secteur musical. Il conviendrait de clarifier davantage la part et le travail de chacun\u00a0– responsabilit\u00e9 artistique des artistes, responsabilit\u00e9 culturelle des m\u00e9diateurs – afin de d\u00e9ployer avec justesse nos initiatives conjointes et d\u2019\u00e9viter de faire porter \u00e0 la seule \u00e9quipe artistique, comme c\u2019est trop souvent le cas, la responsabilit\u00e9 de la r\u00e9ussite d\u2019une action \u00ab\u00a0culturelle\u00a0\u00bb ou d\u2019un \u00ab\u00a0projet transversal \u00e0 vis\u00e9e culturelle et sociale\u00a0\u00bb.
\nLes orchestres de Grands Formats se confrontent \u00e0 ces r\u00e9alit\u00e9s, ils inventent des solutions par leur d\u00e9marche, offrent des r\u00e9ponses au fil de leurs concerts. Alors avant de plonger dans un si vaste examen, profitons cet automne avec app\u00e9tit de nos vivifiants grands formats.<\/p>\n

Gr\u00e9goire Letouvet, ensemble Les Rugissants, membre du CA de Grands Formats<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Finalement, on va trouver plut\u00f4t sympa ce retour \u00e0 la saison r\u00e9guli\u00e8re apr\u00e8s un \u00e9t\u00e9 suspendu \u00e0 la canicule, aux pelouses russes et \u00e0 la torpeur de l\u2019info. Et pour lancer sur des bases solides et inspirantes cette nouvelle ann\u00e9e, Grands Formats nous a concoct\u00e9 une rentr\u00e9e d\u2019une envergure sans pr\u00e9c\u00e9dent\u00a0: une cinquantaine de concerts…<\/p>\n

<\/small>Continue reading<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":12958,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[224],"tags":[],"class_list":["post-6395","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tribunes","entry-post-skin-light","entry","clearfix","entry-grid","entry-columns-default","entry-post-module-layout-sidebar-right","thumbnail-color-tone-dark","metro-landscape","entry-post","entry-masonry","entry-post-masonry"],"acf":[],"yoast_head":"\nTribune de septembre - Site officiel de la f\u00e9d\u00e9ration Grands Formats<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.grandsformats.com\/2018\/09\/edito-de-septembre\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tribune de septembre - Site officiel de la f\u00e9d\u00e9ration Grands Formats\" \/>\n<meta property=\"og:description\" content=\"Finalement, on va trouver plut\u00f4t sympa ce retour \u00e0 la saison r\u00e9guli\u00e8re apr\u00e8s un \u00e9t\u00e9 suspendu \u00e0 la canicule, aux pelouses russes et \u00e0 la torpeur de l\u2019info. Et pour lancer sur des bases solides et inspirantes cette nouvelle ann\u00e9e, Grands Formats nous a concoct\u00e9 une rentr\u00e9e d\u2019une envergure sans pr\u00e9c\u00e9dent\u00a0: une cinquantaine de concerts...Continue reading\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.grandsformats.com\/2018\/09\/edito-de-septembre\/\" \/>\n<meta property=\"og:site_name\" content=\"Site officiel de la f\u00e9d\u00e9ration Grands Formats\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/grandsformats\/\" \/>\n<meta property=\"article:published_time\" content=\"2018-09-12T09:08:41+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-05-14T13:04:04+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.grandsformats.com\/wp-content\/uploads\/2019\/09\/Portrait-Gre\u0301goire-Letouvet-1920x1080-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Grands Formats\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@GrandsFormatsGF\" \/>\n<meta name=\"twitter:site\" content=\"@GrandsFormatsGF\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Grands Formats\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.grandsformats.com\/2018\/09\/edito-de-septembre\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.grandsformats.com\/2018\/09\/edito-de-septembre\/\"},\"author\":{\"name\":\"Grands Formats\",\"@id\":\"https:\/\/www.grandsformats.com\/#\/schema\/person\/6ecde7e38a2254b5bc9d620679208ee1\"},\"headline\":\"Tribune de septembre\",\"datePublished\":\"2018-09-12T09:08:41+00:00\",\"dateModified\":\"2020-05-14T13:04:04+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.grandsformats.com\/2018\/09\/edito-de-septembre\/\"},\"wordCount\":782,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/www.grandsformats.com\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.grandsformats.com\/2018\/09\/edito-de-septembre\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.grandsformats.com\/wp-content\/uploads\/2019\/09\/Portrait-Gre\u0301goire-Letouvet-1920x1080-1.jpg\",\"articleSection\":[\"Tribunes\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.grandsformats.com\/2018\/09\/edito-de-septembre\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.grandsformats.com\/2018\/09\/edito-de-septembre\/\",\"url\":\"https:\/\/www.grandsformats.com\/2018\/09\/edito-de-septembre\/\",\"name\":\"Tribune de septembre - 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