{"id":15080,"date":"2021-04-08T10:50:44","date_gmt":"2021-04-08T08:50:44","guid":{"rendered":"https:\/\/www.grandsformats.com\/?p=15080"},"modified":"2021-04-08T12:49:56","modified_gmt":"2021-04-08T10:49:56","slug":"un-an-deja","status":"publish","type":"post","link":"https:\/\/www.grandsformats.com\/en\/2021\/04\/un-an-deja\/","title":{"rendered":"Un an d\u00e9j\u00e0"},"content":{"rendered":"

\u00ab\u00a0Comment \u00e7a va toi\u00a0?\u00a0\u00bb
\n\u00ab\u00a0Moi, bien\u2026\u00a0\u00bb *air g\u00ean\u00e9*\u00a0\u00ab\u00a0\u2026 j\u2019ai la chance de pouvoir travailler.\u00a0\u00bb<\/p>\n

L\u2019an dernier, lorsque le mouvement du monde s\u2019est arr\u00eat\u00e9, les musicien\u00b7ne\u00b7s avaient la sensation d\u2019\u00eatre tou\u00b7te\u00b7s dans le m\u00eame bateau, du moins professionnellement. Les modalit\u00e9s de confinement n\u2019\u00e9taient certes pas les m\u00eames pour tout le monde, mais aucun\u00b7e d\u2019entre nous ne pouvait ni jouer, ni r\u00e9p\u00e9ter. De cela, nous \u00e9tions tou\u00b7te\u00b7s priv\u00e9\u00b7e\u00b7s \u00e0 part \u00e9gale.<\/p>\n

Deux confinements plus tard, la situation est loin d\u2019\u00eatre la m\u00eame. Tout le monde ou presque s\u2019est remis \u00e0 tenter de faire quelque chose (r\u00e9p\u00e9ter, \u00e9crire, cr\u00e9er, \u00ab r\u00e9sider \u00bb, tourner, faire des concerts\u2026en livestream<\/em> ?), mais seule une petite portion des musicien\u00b7ne\u00b7s \u00ab travaille \u00bb dans le sens d\u2019exercer leur m\u00e9tier dans des conditions professionnelles. On pense en premier lieu aux permanent\u00b7e\u00b7s d\u2019orchestres (classiques — il n\u2019y en a pas en jazz). Mais si c\u2019est le cas aussi de certain\u00b7e\u00b7s artistes ind\u00e9pendant\u00b7e\u00b7s, on y trouvera presque exclusivement les fameux et fameuses \u00ab artistes producteur\u00b7rice\u00b7s \u00bb, ayant mont\u00e9 des compagnies, associations et collectifs, souvent autog\u00e9r\u00e9s, par le biais desquels, au prix de tr\u00e8s nombreuses heures de travail non-musical, ils ont r\u00e9ussi \u00e0 trouver des fonds, des partenaires, des soutiens. \u00c0 eux, les th\u00e9\u00e2tres et les diverses sc\u00e8nes lab\u00e9lis\u00e9es ouvrent plus facilement leurs portes et leurs ressources.<\/p>\n

Les autres\u00a0? Ils travaillent aussi, bien s\u00fbr. Ils louent des studios sur leurs deniers pour continuer \u00e0 jouer et cr\u00e9er ensemble co\u00fbte que co\u00fbte. Ils ach\u00e8tent du mat\u00e9riel et s\u2019auto-forment pour organiser leurs propres livestreams<\/em>, propos\u00e9s plus ou moins gratuitement. Ils imaginent des mani\u00e8res alternatives de faire de la musique. \u00a0Mais eux qui aujourd\u2019hui ne vivent d\u00e9j\u00e0 plus que sur leurs allocations ch\u00f4mage, n\u2019auront pas leurs heures lors du grand recalcul, lorsque le sursis de l\u2019ann\u00e9e blanche, si elle n\u2019est pas reconduite, aura fini de se consumer. Car ils n\u2019auront pas vraiment \u00ab\u00a0travaill\u00e9\u00a0\u00bb. Certains et certaines songent \u00e0 la reconversion. D\u2019autres n\u2019ont m\u00eame pas eu ce sursis\u00a0: ce sont les jeunes musicien\u00b7ne\u00b7s \u00ab\u00a0sorti\u00b7e\u00b7s d\u2019\u00e9cole\u00a0\u00bb, ou les moins jeunes qui \u00e9taient sorti\u00b7e\u00b7s de l\u2019intermittence avant la crise. Les fameux primo-acc\u00e9dant\u00b7e\u00b7s, les laiss\u00e9\u00b7e\u00b7s pour compte de l\u2019ann\u00e9e blanche.<\/p>\n

C\u2019est \u00e0 eux que je pense quand je m\u2019excuse d\u2019aller bien. Et je me demande parfois par quel miracle je me retrouve \u00e0 plut\u00f4t faire partie des \u00ab\u00a0chanceux\u00a0\u00bb, alors que 5 ans \u00e0 peine avant la crise j\u2019\u00e9tais encore moi-m\u00eame \u00ab\u00a0\u00e0 l\u2019\u00e9cole\u00a0\u00bb.<\/p>\n

Une des r\u00e9ponses \u00e0 cette question tient en deux mots\u00a0: Grands Formats.<\/p>\n

Il y a peu, j\u2019\u00e9tais invit\u00e9e \u00e0 r\u00e9fl\u00e9chir sur les grandes \u00e9tapes qui avaient jalonn\u00e9 mon parcours de musicienne, sur ses moments-cl\u00e9, dont j\u2019avais pu mesurer l\u2019importance apr\u00e8s coup. Mon entr\u00e9e dans Grands Formats en est d\u00e9finitivement un, et pas des moindres. Il y a un avant et un apr\u00e8s, concernant ma capacit\u00e9 \u00e0 comprendre le milieu plus large dans lequel on \u00e9volue en tant que musicien.ne, ses enjeux politiques, les endroits o\u00f9 mener les combats. Et comment, en tant que jeune artiste leader de projet, aborder le virage vers ce qui nous emp\u00eache de couler aujourd\u2019hui\u00a0: la structuration.<\/p>\n

En France, les aides \u00e0 la culture, \u00e0 la cr\u00e9ation, au secteur musical, existent. En tant que f\u00e9d\u00e9ration d\u2019artistes, et aux c\u00f4t\u00e9s de syndicats et d\u2019autres instances collectives, Grands Formats a contribu\u00e9 et contribue encore \u00e0 forger et orienter les dispositifs qui permettent que la vitalit\u00e9 artistique hors du cadre du march\u00e9 ne se fasse pas au prix de la pr\u00e9carit\u00e9. On voit chaque jour \u00e0 quel point ces dispositifs sont fragiles et pourraient dispara\u00eetre du jour au lendemain. C\u2019est une des raisons-d\u2019\u00eatre de Grands Formats que de les d\u00e9fendre.<\/p>\n

Une autre est d\u2019aider et d\u2019encourager les musicien\u00b7ne\u00b7s \u00e0 les comprendre et \u00e0 les utiliser. C\u2019est un point sur lequel nous avons envie d\u2019aller encore plus loin. Aujourd\u2019hui, particuli\u00e8rement en tant que jeunes artistes, on ne peut que se sentir en concurrence les un\u00b7e\u00b7s avec les autres. Toujours plus nombreux\u00b7ses et de plus en plus \u00ab\u00a0comp\u00e9tent\u00b7e\u00b7s musicalement\u00a0\u00bb *, alors que l\u2019existence m\u00e9diatique et sc\u00e9nique de cette musique ne cesse de diminuer, la pression est \u00e9norme.<\/p>\n

Face \u00e0 cela, on fait le pari inverse\u00a0: celui de se f\u00e9d\u00e9rer. Grands Formats est l\u2019un des endroits o\u00f9 les savoirs et les comp\u00e9tences se partagent, se transmettent. Expertise musicale, conseils en structuration\u2026 les membres en compagnonnage (et pas que\u00a0!) peuvent compter sur l\u2019exp\u00e9rience des plus aguerris. Et \u00e7a, pour ces jeunes musicien\u00b7ne\u00b7s leaders de projets, et notamment celles et ceux qui ont en eux le feu de la grande formation, \u00e7a n\u2019a pas de prix.<\/p>\n

On s\u2019en rend particuli\u00e8rement compte aujourd\u2019hui.<\/p>\n

Ellinoa, chanteuse et leader du Wanderlust orchestra<\/a>, membre du CA de Grands Formats<\/p>\n

 <\/p>\n

* suite au d\u00e9veloppement de l\u2019enseignement du jazz en conservatoire, et du fait qu\u2019une multitude de r\u00e9f\u00e9rences soient tr\u00e8s facilement accessibles sur les plateformes<\/span><\/p>\n

\u00a9 Sylvain Golvet<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00ab\u00a0Comment \u00e7a va toi\u00a0?\u00a0\u00bb \u00ab\u00a0Moi, bien\u2026\u00a0\u00bb *air g\u00ean\u00e9*\u00a0\u00ab\u00a0\u2026 j\u2019ai la chance de pouvoir travailler.\u00a0\u00bb L\u2019an dernier, lorsque le mouvement du monde s\u2019est arr\u00eat\u00e9, les musicien\u00b7ne\u00b7s avaient la sensation d\u2019\u00eatre tou\u00b7te\u00b7s dans le m\u00eame bateau, du moins professionnellement. Les modalit\u00e9s de confinement n\u2019\u00e9taient certes pas les m\u00eames pour tout le monde, mais aucun\u00b7e d\u2019entre nous ne…<\/p>\n

<\/small>Continue reading<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":13186,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[224,663],"tags":[],"class_list":["post-15080","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tribunes","category-wanderlust-orchestra","entry-post-skin-light","entry","clearfix","entry-grid","entry-columns-default","entry-post-module-layout-sidebar-right","thumbnail-color-tone-dark","metro-landscape","entry-post","entry-masonry","entry-post-masonry"],"acf":[],"yoast_head":"\nUn an d\u00e9j\u00e0 - Site officiel de la f\u00e9d\u00e9ration Grands Formats<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.grandsformats.com\/2021\/04\/un-an-deja\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Un an d\u00e9j\u00e0 - Site officiel de la f\u00e9d\u00e9ration Grands Formats\" \/>\n<meta property=\"og:description\" content=\"\u00ab\u00a0Comment \u00e7a va toi\u00a0?\u00a0\u00bb \u00ab\u00a0Moi, bien\u2026\u00a0\u00bb *air g\u00ean\u00e9*\u00a0\u00ab\u00a0\u2026 j\u2019ai la chance de pouvoir travailler.\u00a0\u00bb L\u2019an dernier, lorsque le mouvement du monde s\u2019est arr\u00eat\u00e9, les musicien\u00b7ne\u00b7s avaient la sensation d\u2019\u00eatre tou\u00b7te\u00b7s dans le m\u00eame bateau, du moins professionnellement. 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