{"id":14619,"date":"2020-12-10T09:57:41","date_gmt":"2020-12-10T08:57:41","guid":{"rendered":"https:\/\/www.grandsformats.com\/?p=14619"},"modified":"2020-12-10T09:57:41","modified_gmt":"2020-12-10T08:57:41","slug":"vers-la-defense-dun-statut-dartiste-producteur%c2%b7rice","status":"publish","type":"post","link":"https:\/\/www.grandsformats.com\/en\/2020\/12\/vers-la-defense-dun-statut-dartiste-producteur%c2%b7rice\/","title":{"rendered":"Vers la d\u00e9fense d\u2019un statut d\u2019artiste-producteur\u00b7rice"},"content":{"rendered":"

Le terme d\u2019artiste-producteur\u00b7rice en lui-m\u00eame est mal accept\u00e9, car dans les statuts d\u2019une association, un membre du bureau ne peut \u00eatre son propre employeur ; un artiste – ou un collectif d\u2019artistes – ne pourrait donc pas \u00eatre dirigeant\u00b7e de sa structure.<\/p>\n

Il cr\u00e9\u00e9 un clivage au sein du secteur musical car, pour certain\u00b7e\u00b7s, l’artiste devrait se consacrer exclusivement \u00e0 son art et aurait forc\u00e9ment besoin d\u2019\u00eatre accompagn\u00e9 par des structures d\u00e9di\u00e9es \u00e0 la production, la diffusion, l\u2019enregistrement\u2026 Il ne pourrait \u00eatre par cons\u00e9quent d\u00e9cisionnaire dans ses propres cr\u00e9ations.<\/p>\n

Cependant, depuis que nous sommes confin\u00e9s, les injonctions gouvernementales \u2013 celles-l\u00e0 m\u00eame qui nous encouragent depuis tant d\u2019ann\u00e9es \u00e0 nous structurer – fusent : apr\u00e8s celle d\u2019apprendre \u00e0 se \u00ab r\u00e9-inventer \u00bb lors du premier confinement (en enfourchant le tigre ?), on nous demande de \u00ab pr\u00e9parer les spectacles de demain \u00bb.<\/p>\n

De l\u00e0, on se demande s\u2019il faut ass\u00e9cher les budgets fragiles de nos compagnies, si on doit attendre que les lieux re\u00e7oivent les aides et les redistribuent (\u00e0 leur bon vouloir), ou bien, s\u2019il ne serait pas plus logique que les \u00e9quipes artistiques structur\u00e9es (les artistes producteur\u00b7rice\u00b7s !) se trouvent dot\u00e9es de v\u00e9ritables moyens pour r\u00e9p\u00e9ter \/ r\u00e9sider \/ cr\u00e9er. Ne sommes-nous pas impact\u00e9s en premi\u00e8re ligne par l’impossibilit\u00e9 de jouer, les annulations non indemnis\u00e9es, les reports qui se cumulent et les protocoles sanitaires qui p\u00e9nalisent particuli\u00e8rement nos grandes formations ?<\/p>\n

\u00c0 l\u2019heure o\u00f9 l\u2019on r\u00e9forme les aides aux \u00e9quipes artistiques du minist\u00e8re et o\u00f9 l\u2019on \u00e9labore un plan de relance pour la culture, \u00e0 l\u2019heure o\u00f9 les organismes de gestion collective voient leurs dispositifs d\u2019aides durement amput\u00e9s par la d\u00e9cision de la cour de justice de l\u2019Union Europ\u00e9enne<\/a> et vont devoir faire des choix drastiques ; \u00e0 l\u2019heure o\u00f9 l’on sait que les productions priv\u00e9es, dont les choix d\u2019artistes r\u00e9pondent forc\u00e9ment \u00e0 des crit\u00e8res de rentabilit\u00e9, se rabattent sur les aides de l\u2019\u00c9tat en demandant une ouverture totale de tous les dispositifs de soutien, on sait que les choix d\u2019aujourd\u2019hui seront d\u00e9terminants pour demain et on se demande \u00e0 quel point les \u00ab artistes-producteur\u00b7rice\u00b7s \u00bb \u00a0pourront y prendre part. Ce mod\u00e8le vertueux, qui a une place dominante dans nos esth\u00e9tiques (grands formats, collectifs ou artistes seul\u00b7e\u00b7s) et qui laisse une large part \u00e0 la cr\u00e9ation, la collaboration et la mise en r\u00e9seau, l’\u00e9ducation artistique, doit trouver une place de choix dans un secteur musical en plein changement.<\/p>\n

Par Alfred Vilayleck, Collectif Koa<\/a> & membre du Conseil d’Administration de Grands Formats<\/p>\n

\u00a9 Dominique Julian<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Le terme d\u2019artiste-producteur\u00b7rice en lui-m\u00eame est mal accept\u00e9, car dans les statuts d\u2019une association, un membre du bureau ne peut \u00eatre son propre employeur ; un artiste – ou un collectif d\u2019artistes – ne pourrait donc pas \u00eatre dirigeant\u00b7e de sa structure. Il cr\u00e9\u00e9 un clivage au sein du secteur musical car, pour certain\u00b7e\u00b7s, l’artiste…<\/p>\n

<\/small>Continue reading<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":12964,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[95,734,224],"tags":[],"class_list":["post-14619","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-membres","category-grand-ensemble-koa","category-tribunes","entry-post-skin-light","entry","clearfix","entry-grid","entry-columns-default","entry-post-module-layout-sidebar-right","thumbnail-color-tone-dark","metro-landscape","entry-post","entry-masonry","entry-post-masonry"],"acf":[],"yoast_head":"\nVers la d\u00e9fense d\u2019un statut d\u2019artiste-producteur\u00b7rice - Site officiel de la f\u00e9d\u00e9ration Grands Formats<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.grandsformats.com\/2020\/12\/vers-la-defense-dun-statut-dartiste-producteur\u00b7rice\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vers la d\u00e9fense d\u2019un statut d\u2019artiste-producteur\u00b7rice - Site officiel de la f\u00e9d\u00e9ration Grands Formats\" \/>\n<meta property=\"og:description\" content=\"Le terme d\u2019artiste-producteur\u00b7rice en lui-m\u00eame est mal accept\u00e9, car dans les statuts d\u2019une association, un membre du bureau ne peut \u00eatre son propre employeur ; un artiste – ou un collectif d\u2019artistes – ne pourrait donc pas \u00eatre dirigeant\u00b7e de sa structure. 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